Interviews
Long-form conversations with people behind the records you love.
A weekly podcast about how music is made, recorded and remembered. Long conversations with engineers, songwriters and the people behind the mixing desk.
Ep 48 · with Ines Albrecht
Filter by format, hide the long ones or open the transcripts. Every play button loads the sticky player below.
6 episodes
with Ines Albrecht, mastering engineer
Why the loudest record is rarely the best one, and what really happens in the last hour before a release.
Mastering is the last chance to hear a record with fresh ears. Mine are the fresh ears.
If a song needs a limiter to feel exciting, the arrangement is the problem.
I keep a cheap pair of earbuds on the desk. That is where most people will meet the song.
Field recordings from six harbours
We packed two microphones and a notebook and recorded six port cities at 4 a.m. The results were stranger than expected.
Lisbon hums in a low B flat, mostly thanks to the trams.
Rotterdam was the only city where the gulls were louder than the cranes.
Every harbour has a heartbeat: the ferry horn nobody notices any more.
Recorded in front of 300 listeners
Our first live taping: three guests, one house band and an audience that would not stop requesting encores.
Hands up if you have ever listened to this show in the bath. Okay, that is most of you.
We asked the band to play the theme tune at half speed. It became a ballad.
Thank you, Lantern Room. Same time next year?
Your questions, our worst answers
Forty voicemails, eleven accents and one very persistent question about our theme tune.
First up, a caller from Marisol Bay who wants to know what the theme tune is played on.
It is a toy piano. We are sorry and also not sorry.
with Theo Varga of Low Orbit Records
Pressing 300 records on a credit card, finding distribution and learning to say no to the wrong artists.
The first pressing sat under my bed for eight months. I slept on our catalogue.
Distribution is a relationship, not a contract.
Sign people you would happily sit in a van with.
A deep dive into space you can hear
Cathedrals, stairwells and plate reverbs the size of a door: how sound bounces and why our brains love it.
A cathedral can hold a note for nine seconds. A bathroom manages about one.
Plate reverb is literally a sheet of steel with a speaker glued to it.
No episodes match these filters yet.
Every Tuesday Mara and Dev sit down with someone who shapes the way records sound. No hot takes, no rush, just curious questions and a proper pair of headphones.
Long-form conversations with people behind the records you love.
Researched, sound-designed episodes about one big idea.
Recorded in front of an audience, house band included.
Short extras for supporters: voicemails, studio tours and outtakes.
Host · producer
Host · sound designer
The only podcast I save for a proper walk. Every episode sends me back to records I had forgotten about.
Brilliant guests, warm hosts, and the sound design alone is worth subscribing for.
The transcripts are a gift. I read along on the train and then go back for the full interview.
Night Signal is supported by
Know someone who makes records sound the way they do? We read every pitch and reply within two weeks.